Gernika

 


Ramón stared towards the Laguna Rosa, where the flamingos dipped their heads into the lagoon for the shrimps which would tinted their feathers pink. The colour of the lagoon reminded him of the water in the enamelled basin, the médico had squeezed his cloth in, as he cleaned his wounds. He removed his spectacles, held them on his lap,  and closed his eyes.

‘Mamá, Josefina and I walked from our home to the market. Little Josefina, trying to look important, carried a woven basket over her arm, and I clutched a toy car Papa made. It was a late April afternoon. The sky was cloudless, a delicate blue.’ Ramón released a soft laugh. ‘In Spain it always is, no?’

Seb remained silent, not wishing to interrupt the flow of his grandfather’s narrative.

‘A loud thrumming sound echoed around the street. Everyone looked around, expecting the approach of a vehicle, a large truck or some such thing. Then following in the noise’s wake: Bang! Boom!… Bang! Now everyone is looking into the sky. Of course, I saw nothing. I was a small child hemmed in by the legs of the adults. My abiding memory of that moment is the smell of oranges.’

‘Oranges?’

‘Yes, oranges. A bomb exploded nearby. The surrounding air quivered, and I felt the ground tremble under me. Mamá, holding Josefina close to her breast, turned away, and I hid behind the thin fabric of her skirt. The noise was dreadful: thunderclaps; screams; shouts. Dust and grit and slivers of glass rushed between legs to sting and cut skin. A woman nearer to the blast, her face a mask of blood, floundered, upending the merchant’s table. With wide eyes, I watched as oranges cascaded to the ground. They bounced and rolled through the shadows and the segments of bright sunlight, until crushed to pulp under the espadrilles of the scattering people. Mamá, with Josefina still in her arms, grabbed my wrist and we ran into a passageway where we crouched against the stone wall. Mamá muttered prayers to the Virgin Mary. Pressed into me she smelled of…’

The words trailed away as Ramón sucked in a deep breath. Seb reached through the silent void to touch his grandfather’s hand. He cleared his throat and continued in a whisper.

‘Huddled in that dark passageway, I could smell the soap on Mamá’s skin and in her hair. It was strange, amid the stench of smoke, of fire, of cordite, to smell lavender. Soon, the bombing seemed more distant and Mamá decided we would leave our shelter to return home. She explained how we would cross the wide boulevard, run past the wreckage of the market stalls, the bodies, and the splintered trees, and into the narrow street opposite. Holding Josefina with one hand and me with the other, she led us across the rubble and glass strewn road. In the hazy sky, I could see the grey cruciforms of the sluggish bombers. Then a darker, more threatening shape flitted through the swirling smoke. The menacing roar was so loud! I heard my mother scream we must run. Even now I hear her voice,  “¡Rápido!…¡Rápido!” Then … then my precious toy car slipped from my fingers…’

As his grandfather faltered, Seb pressed the fingertips of one hand against his forehead, his stomach clenched with the fear of knowing.

‘All that cold night I sat in the narrow passage, our sanctuary from the bombs, staring at the tattered remains of my mother and my sister in the middle of the road. Watching the hem of Mamá’s dress flutter in the breeze, I relived the moment I pulled my hand from my mother’s grasp: running back to pick up my toy; Mamá stopping, Mamà shouting; a dragon spitting fire; the heavy chatter of machine guns; violent puffs of dust stalking along the road towards Mamá and Josefina. I was left standing, listening as silence swallowed the dying sound of the departing Messerschmitt, the jubilant pilot dipping its wings.’

Carwash

I watch men from foreign lands

with ragged beards and dark eyes.

Wraiths, moving in a sparkling mist

Wield sponge and cloth

In energetic arcs, turning

Dull metal to bright colour,

Glass to reflective mirrors.

Cars stop.

Move forward.

Hesitate.

Move forward.

Stop.

A new-age production line

under the gaze of extinct

mills and factories.

Cocooned in warm trophy cars.

Mercs, Jags, Beemers.

Drivers gaze though

pellucid windows watching

the gangly youth cross

the yard to my dog.

He ruffles her hair, tweaks her ears.

Her warm tongue licks his chilled hand.

I see the shadow of a memory

pass across his pinched face.

At home I had dog, he says.

Where is home? I ask.

Far away.

The wary reply

of a stranger in a foreign land

Life After War


The snap of the lighter drew a glance of disapproval from Elsie. The tangy smell of the vapour carried on the breeze from the open door. Brian blew blue smoke at the ceiling before staring back through the rusty wheel spokes of the upturned bike. She gave him a nervous smile. The boy sat beside her, just looked blank.

     ‘A Zippo. Got it from a Yank in Sicily.’ He pushed the shiny lighter across the yellow laminate to the boy. ‘Take a look.’

     The boy touched it with a fingertip, then drew his hand back.

     ‘Doesn’t remember me, does he?’

     ‘Give him time, Brian.’ Elsie draped the repaired chain over the sprocket wheel. Turning the pedals, she let a teardrop of lubricant fall from the oil can onto the passing links. The rear wheel whirred as it spun.

     She lifted the bike from the table, ruffled their son’s hair. ‘There Billy, all fixed.’

     Brian watched Billy push his bike into the garden. ‘How come you can fix things like that?’

     ‘Working at the bomber factory up at Yeadon. Did all sorts of things. Machined parts, assembled wings, wired cockpits…’

     ‘Well, you won’t anymore,’ he said, crushing his cigarette in a saucer. ‘Now men like me have won the war. You’ll be looking after the house, me and the kid.’ The Zippo snapped again.

     Elsie pulled her face away from the acrid smoke. ‘Wish you wouldn’t, Brian.’

     ‘Maybe we should have another.’

     It’ll have to be an immaculate conception, Elsie thought. Gathering up the spanners, pliers and screwdriver, she dropped them noisily into the toolbox. The only thing that happened in their bed was Brian’s night terrors, when he would wake shouting names, or weeping.

     ‘You got that job at the concrete works?’

     ‘Yeah. Charlie put a word in.’ He leaned back in his chair, smoke seeping from his mouth. ‘Skilled, mind. Making lintols for doors and windows. Long term, I reckon with this housing boom.’

     Elsie wiped oil from her hands on a rag. ‘Sounds good.’

     ‘I’ll go see what the kid’s doing.’

     She sighed. ‘Your son’s name is Billy.’

     He stepped through the doorway, flicked his cigarette butt to one side, and walked down the garden path. Elsie turned away, pressed  the oil stained rag to her face, breathed the smell of machines. She heard the thrum of the Merlin engines, felt the vibration through her soles. She was standing with the other women outside the factory, their eyes following the massive machines rise to tilt in the blue sky, on their way south to take the war to Hamburg, Hannover, Berlin.

     She dropped the rag into the bin, and looked around the kitchen: the clothes draped on the pulley drier, the dishes stacked by the sink, the mop, the bucket. She knew then her war had just begun.

Daily Commute

 


Worn by the scrape and scuff

Of dragged hobnail boots

The grey cobblestone path

Hemmed by stone walls,

A scar through meadow and copse,

Ends at the dark silhouettes of mills.

Did the workers toiling

Amid the clatter and the stench

Remember?

Remember

The beauty they passed through

Serenaded by nature’s madrigals

In the scent laden morning air.

The heron lifting into the pale blue sky

With languid flap of wings.

The shape shifting murmurations.

A squabbling murder of crows

Above the lattice of branches.

The kaleidoscopic feathers

Of the landowners pheasant.

Or without hope, were they blind

To the beauty they passed through.

Moonboy

George Richard’s head was globular, his face round, pasty and podgy. When pitted with childhood acne, he had been called Moonboy and mercilessly bullied at school.

One day Norris, the geography teacher, giving a lesson on topography, noticed a cleft between his eyebrows, his chin, and creases to the sides of his eyes. ‘Your face resembles a compass, Richards.’ George flinched as a stiff finger prodded each facial imperfection as the teacher itemised the points. ‘North, South, East, West. The thing is, Richards, it’s broken. Which is why you are directionless and will come to nothing.’

The bullying and the unkindness of the adults and children in his formative years ensured he came to nothing much. He drifted, did drugs, and developed an obsession with body art. He thought tattoos would conceal his ugliness, project a more confident persona.

His father, an undertaker, would have liked his son to join him in the business, but feared the ink creeping across his hands and face would upset his clientele. The mourners, that is. Instead, he persuaded a friend who managed the local crematorium to take him on.

Out of sight in the bowels of the Crematorium George learned to operate the furnace, to inspect the ashes in the cremation chamber for metal remnants, such as screws and plates from surgical procedures, before grinding the ashes and filling the urns. He was soon considered competent and trustworthy. So trustworthy he could access the facility in the dead of night to dispose of the body of Mr Norris.

The next day he visited the local tattooist, where he had the letter ‘N’ tattooed on his forehead above the cleft between his eyebrows. Later, looking in the mirror above the fireplace he admired the elegant strokes of the letter. N for North, N for Norris. He smiled at the urn containing his former teacher’s ashes standing on the mantle piece. ‘I’m fixing my compass, Mr Norris. I know where I’m heading now.

His classmate tormentors would soon provide the other points of his compass: Sugden, Easton, and Wicks.

 

Life Sentence


‘Jake! You look well, considering.’ Gerry held the pint glass under the tap, his biceps bulging as he pulled the lever. ‘Usual?’

Jake grinned across the bar. ‘Yeah. Surprised you remember.’

Gerry slid the glass towards him. ‘On the house,’ he said, palms open.

‘Thanks, Gerry. Appreciated.’

‘Been a while, eh?’

‘Three years.’

‘Sonia better brace herself, said Angie, giggling into her glass. She knows you’re out?’

‘Gonna see her when she finishes work.’

A pair of rheumy eyes peered over a newspaper. ‘Thought you got six?’

Jake glanced sideways at the old man. ‘I was a good boy, Syd,’ he said, then winked at Angie. ‘An exemplary prisoner, they said.’

‘What was it like… you know. In prison?’

‘What do you think, Angie? You think it was Butlins? Three years I won’t get back.’

‘Alright! I was only asking.’

Gerry held a glass up, turning it in the light. ‘What you gonna do?’

‘This and that. Got a bit of catching up to do.’ Jake drained his glass. ‘I’ll have a packet of pork scratchings for the train, Gerry.’

Stepping out of The Nelson Jake sucked in the city air and smiled. Then, turning right into the station entrance he skipped down into the bowels of the underground against a rising wave of home bound commuters to stand near the edge of the platform. He felt the warm fusty air pushed from the tunnel by the approaching train wash over him. Savouring a pork scratching he watched mice scurry between the rails.

‘Jake Gilmour, isn’t it?’

Jake turned to the woman looking up at him. He’d seen her expression on the face of fellow inmates: grey, broken, drained of life. ‘Do I know you?’

‘You knew my husband.’

‘Yeah? What’s his name?’

‘George Turnbull.’

‘Jake stepped back. Listen, I did my…’

‘Time?’ A finger prodded his chest. ‘Six years, and out walking the streets in three. That’s not time. George is doing time.’ Jake felt each accusatory stab of the stiff finger. ‘Since you beat him, broke his skull, he can’t talk, feed himself, wash himself.’

‘Listen…’

‘Listen? Judge didn’t, nobody did,’ she said above the din of the arriving train. The stiff finger became a palm. ‘I’ve done listening.’

The bag floated in the air, and the scattered pork scratchings crunched under her feet as she walked away.

Not that Bradford


‘Say that again, Darren.’ Sheena switched her mobile to her other ear, as if what her youngest son had said would alter. ‘No, don’t, just don’t. I heard the first time. You’re saying you’ve lost Kevin. Where?’

‘Schitol?’

‘Oh, right. Schiphol. The airport at Amsterdam.’

‘You think? What do you mean “you think”? Is he on a flight to New York or not?’

‘Someone saw him? How did they know it was him? He’s hardly Tom Cruise.’

‘Batman? He’s dressed as Batman?’

‘Oh, I see. Fancy dress. Has he been sniffing?‘

‘He has? Bloody hell, Darren. You were supposed to keep your brother clean.’

‘Okay, okay. Yes, I know you can’t stand in a cubicle with him. Yes, I’ll let you know if he calls.’

Sheena laid her mobile face down on the table and glanced at her husband. ‘You heard all that? They’ve gone and lost Kevin. Vanished from the bar when they were waiting to board. Drunk, and high as a kite.’
Bernard looked over the rim of his cup. ‘I won’t say “I told you so”—‘
‘But you will.’
‘Well, Love. A stag-do, just days before a wedding? Leaves no time to sort this sort of thing out, does it?’
‘I just knew it would go tits-up. He’s still using. A stag weekend in Amsterdam? It’s like taking an alci to a beer festival.’
‘What was that about Batman?’
‘It’s like a theme, you know, Superheroes. Kevin’s dressed as Batman. Darren’s Robin.’
A teaspoon rattled in a saucer as Sheena’s mobile danced on the Formica tabletop. She snatched it up, cutting off the Mamma Mia ringtone.
‘Kevin? Thank God! You do know you’re getting married this afternoon?’

‘No, we haven’t told Chantelle. Where are you?’

‘A café in Bradford Airport? Right, stay where you are. Your dad’ll pick you —‘

‘What do you mean “not that Bradford”?’

‘Pennsylvania?’

 

Voyage into the Past


A faded image. A fragile memory.
A cobbled raft of rope bound
planks and metal drums.
With sun-warmed backs
and brine-glazed skin
my brother and I, pretend
pirate or conquistadors,
sail across imagined oceans.
Standing at the shoreline
Our father, camera to eye,
captures our boyhood moment.
Preserves this memory for us.

Travel-weary ancient mariners
we have washed up here,
this beach of memories. Stand
listening to faint echoes of the past.
Voices, laughter, the shutters click.
Then silence as our familial shades
watch us walk away, our shadows
long and dark, consuming us.

Tideline

A sweeping arc of human flotsam
entwined with leavings of nature
abandoned by the ebbing sea.
The immutable, the perishable.

A vivid tapestry of nylon netting,
orange, blue, green. A corked
ocean bottle bearing tidings
of past victories, or defeats.
A plastic bottle, a portent
of future unseen catastrophes
Fragile shells, carapace of crab.
Sea scoured root and branch
washed from African shores
Feathered wing, storm-ripped
on a futile sea crossing.

The immutable, the perishable.
The pulse line of a dying planet.

 

Death By Chocolate

Baron Feldmann’s skill as a chocolatier was not common knowledge, but amongst the aristocracy, he was renowned. It was, of course, not a trade of manufacture and sale, but a pastime. No society dinner party was complete without a box of his exquisite confections, and though he existed in the lower echelons of nobility, the Baron’s attendance at such soirees was almost obligatory: no Baron, no chocolates.

This access to social functions attended by the good and the great made the Baron a convenient assassin.
Sitting at his desk he decoded the couriered instruction: a name, a flavour. He watched flames consume the flimsy paper in the ashtray, and smiled.
*
Me? I am merely an observer, a spy dressed in servant’s livery, who will report back to my masters that the Countess Petrov’s flame has been extinguished. The elegant dining room has brimmed with the chink of cutlery on fine china and gossip, as the twelve guests around the small oval table enjoy a convivial evening. The meal now complete, I give the Baron a servile bow and hand him the chocolate box, which is as elaborate as the confections within, each in a twist of coloured foil denoting the flavour. The Countess, sat next to Baron Feldmann, gives a dull clap of gloved hands.
‘How delightful!’ she cries.
Stagily he peels away the pretty wrappings and opens the box. The Countess eyes the contents hungrily, but the Baron must offer it to the guest on his left, a person of Royal birth, and therefore of far greater importance than the Countess on his right.
I follow the anti-clockwise handing of the box. Those present know the Countess prefers the chocolate with the orange filling and fortuitously, or perhaps purposely, it is passed over by the other diners.
Why fortuitous? Within the orange cream filling resides a slow-acting poison, its tangy taste indistinguishable from that of the fruit of Seville. The Countess will leave the Château feeling in fine fettle, but later, when the coachman opens the carriage door, he will find her sprawled lifeless.
Ah, I see the box has arrived in the delicate hands of the Countess. Her eyes flick between the faces of her fellow guests and the remaining two chocolates.
‘The Seville orange remains, my Lady,’ the Baron says in an alluring tone
‘Perhaps My Lord, but tonight I do believe I will have the lime flavour,’ she says, plucking the chocolate from the box.
Standing dutifully by the window, I note the pallor of the Baron’s face. He has no option but to select and consume the poisoned chocolate. Savouring the lime cream filling the Countess casts him the smile of one who has circumvented his scheme.
Later, walking down the corridor towards the stable yard I hear the Baron retching in the privy as he purges himself of the toxin.